KATHERINE GLENDAY
The skins and material resonances of porcelain act as entry points into ‘the rest of the world’. The vessel becomes a literal echo-chamber for light and sound, stillness and movement..
The skins and material resonances of porcelain act as entry points into ‘the rest of the world’. The vessel becomes a literal echo-chamber for light and sound, stillness and movement..
…since finding and working with wild, hand-dug clay, Blignaut has been inspired by dreams and textures.
Digression guides Hoffman’s work. She lays out fragments of the familiar, the artefacts of domestic life, setting a table with broken plates overgrown with marine life, placing bouquets in vases gnarled with scales.
