ASTRID DAHL
Predominantly composed of white earthenware, Dahl’s work pays homage to form and symmetry before anything. A practice in pursuit of the form that is perfect and timeless…
Predominantly composed of white earthenware, Dahl’s work pays homage to form and symmetry before anything. A practice in pursuit of the form that is perfect and timeless…
Moe uses concrete to subvert the metaphor of itself. The world of the things we think we know – the seemingly-solid – is memorialised in pieces. The angels are concrete, the concrete is fog.
