John Newdigate

JOHN NEWDIGATE

Newdigate’s canvas is clay, rendering his paintings globe-like. We look down into them, or are they perhaps extending out towards us? The porcelain has become a glass fishbowl for Newdigate’s microcosms, which are held tenderly, and most definitely magnified, by the crystalline smoothness of Ian Garrett’s forms.

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IAN GARRETT

There is a science to Garrett’s practice as he collects, sieves, dries and categorises each of the many clay types archived in the studio. No glazes are used. Contrasts in colour and texture are created through the combination of different clays and their surface treatment.

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